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BORN: Hartford
Connecticut
EDUCATION
1984 B.F.A., The Cooper Union for the Advancement of Science and
Art, New York.
1994 M.F.A., Hunter College, Graduate School of Art, New York.
SOLO EXHIBITIONS
2006 Brenda Taylor Gallery, New York, NY
2004 Kristen Frederickson Contemporary Art, New York, NY
Marsha Mateyka Gallery, Washington, DC.
2003 Jeffrey Coploff Gallery, New York, NY.
2001 Jeffrey Coploff Gallery, New York, NY.
1999 Jeffrey Coploff Gallery, New York, NY.
1995 Thread Waxing Space, Project Room, New York, NY.
Saint Peter’s Church, Lexington Avenue, New York, NY.
SELECTED GROUP EXHIBITIONS
2008
Islip Art Museum, I Dream of Genomes, East Islip, NY
2007
Marsha Mateyka Gallery, artDC, Washington DC
Brenda Taylor Gallery, Red Dot Fair, New York, NY
Brenda Taylor Gallery, Mary Ehrin, Peter Fox, Vadim Katznelson, and Kathleen Kucka, New York, NY
2006
Denise Bibro Fine Art, Head Over Hand, New York, NY
2005 Marsh Mateyka
Gallery, New Year New Work, Washington DC
Brenda Taylor Fine Art, Surface, New York, New York
Denise Bibro Fine Art, Head Over Hand: Pushing the Limits of
Paint New York, NY
Dust gallery, NY LV, Las Vegas, NV.
2004 Pavel Zoubok
Gallery, Mindscape, New York, NY.
Marsha Mateyka Gallery, Concentrics, Washington, DC.
Scope, Los Angeles, CA
Margaret Thatcher Projects, Hard and Soft, , New York, NY.
2002 Kristen
Frederickson Contemporary Art, Pour Pierce Pounce, ,
NY.
Angles Gallery, Prima Facie, New Abstract Paintings, Santa
Monica, CA.
Jeffrey Coploff Gallery, Bold, New York, NY.
Marsha Mateyka Gallery, Abstraction: An Invitational Exhibition,
Washington, DC.
Anderson Gallery at Virginia Commonwealth
University.
Young and Brash and Abstract, curated by John Yau, Richmond Virginia.
2001 Bernadette
Salvage Fine Art, That Which Remains, curated by Mo Eich, Brooklyn, NY.
The Norton Museum of Art, Burn: Artists Play with Fire, West
Palm Beach, Fl. Also traveling to the
Columbia Museum of Art,
Columbia, SC.
Pierogi 2000 traveling flat files: Yerba Buena Center for the
Arts, San Francisco, CA; Post Gallery,
Los Angeles, CA; Block
Art Space, Kansas City, MI.
2000 Jeffrey Coploff Fine Art,
Group Show, New York, NY.
James Graham and Sons, Fluid Flow, New York, NY.
California State University, San Bernardino/ The Visual Arts
Center- California State University, Fullerton
Eye Candy: Contemporary West and East Coast Women painters,
BIBLIOGRAPHY
Genocchio,
Benjamin. "Looking Into the World of Genomes and Seeing an
Unreliable Future," The New York Times, March 2, 2008
Knaff, Devorah. “‘Eye Candy’ by Women Reveals Beauty Beyond Good
Looks,” The Press Enterprise, Los Angeles, CA., April 19, 2000.
Johnson, Ken. “Kathleen Kucka,” The New York Times, March 19,
1999.
Scott, Sue. “Kathleen Kucka,” Review: The Critical State of
Visual Art in New York,
March 15, 1999.
Braff, Phyllis. “On the Edge,” The New York Times, May 31, 1998.
Daigle, Claire. “Text and Touch,” Art Papers-New York,
March-April 1998.
Long, Robert. “Perspectives: A Style Shift,” The Southampton
Press, May 18, 1995.resume
Harrison, Helen A. “Depicting Passion, in its Many Guises and
Garbs,” The New York Times,March 20, 1994.
RESIDENCIES AND GRANTS
1995 The Nancy Ashton Memorial Fund Award, Hunter College, New
York
1991 The Alternative Worksite, Bemis Foundation, Omaha,
Nebraska. Artist residence.
1991 Change Grant
PRIVATE COLLECTION
Birmingham Museum of Art, Birmingham, AL
The Norton Museum of Art, West Palm Beach, Florida.
J. Jill, 28 pieces at corporate headquarters, Framingham, MA.
Estee Lauder, New York, NY.
R.L. Bailey, New York, NY
Werner Kramarsky, New York, NY.
The Bemis Foundation, Omaha, Nebraska.
The Museum of Modern Art, New York, NY (Franklin Furnace
Archives).
The Weatherspoon Art Gallery, The University of North Carolina
at Greensboro, Greensboro, NC.
The Arkansas Art Center, Little Rock, Arkansas
The Ritz-Carlton Battery Park, New York
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